Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Saturday, November 5, 2011

neuron art

Scientific illustration is a lost art.  Back in the day, when scientists didn't have cameras to take pictures of microscope images or anatomy, they drew.  And those drawings are some of my favorites - think Gray's anatomy-level detail.

Greg Dunn is one of those people bringing back the art of scientific images.  He's a neuroscientist working on his doctorate at UPenn, and paints neurons in the Asian sumi-e style on the side.  His works are so free...and yet so incredibly, meticulously, thought out.  It's pure elegance.

Glomerulus, commissioned by the University of Pennsylvania 

Synaptogenesis (the new Creation of Adam, anyone?)

Cerebral Cortex 

Retina I (probably my favorite)

Sunday, August 7, 2011

the elegance of the hedgehog

Upon learning that a movie based on The Elegance of the Hedgehog (entitled The Hedgehog) is coming out soon, I've been reminded that this book has been on my to-read list for quite some time now.  It also started me on a whole train of thought about the Hedgehog and the Fox ("The fox knows many things, but the hedgehog knows one big thing"), but that's a whole other story.

Anyways, I finished reading The Elegance of the Hedgehog by Muriel Barbery yesterday, and, despite my absolute love for Terry Pratchett humor, this was one of the best books I've read in a while.  I mean, I can see how it was a NY Times bestseller.  

One of my kinds of books exactly - completely relatable narrators and lots of philosophising: about Art, beauty, life.....yup, the kinds of things I like to think about, plus the kinds of things that I don't know enough about to philosophize about.  And all in gorgeous prose.  Admittedly I cried at the end of the book, but it wasn't one of those completely despairing endings.  Bittersweet.  But not completely depressing.  (For example, I didn't feel as depressed as I did when I read Girl in Translation, which isn't even supposed to be that depressing, I don't think).  The ending was sad, yes, but it held so much hope.  So. Much. Hope.  And redemption.

I mean, who can't love a book that waxes poetic on the joy of drinking tea for a page and a half?

"Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us.  Then let us drink a cup of tea.  Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light.  And, with each swallow, time is sublimed."

and a bit on architecture:

"An open door introduces a break in the room, a sort of provincial interference, destroying the unity of space.  In the adjoining room it creates a depression, an absolutely pointless gaping hole adrift in a section of wall that would have preferred to remain whole.  In either case a door disrupts continuity, without offering anything in exchange other than freedom of movement, which could easily be ensured by another means.  Sliding doors avoid such pitfalls and enhance space.  Without affecting the balance of the room, they allow it to be transformed.  When a sliding door is open, two areas communicate without offending each other.  When it is closed, each regains its integrity.  Sharing and reunion can occur without intrusion."

and about the food critic who lives in the building (who, by the way, is the focus in Barbery's novel Gourmet Rhapsody - which I'm reading next):

"To write entire pages of dazzling prose about a tomato - for Pierre Arthens reviews foods as if he were telling a story, and that alone is enough to make him a genius - without ever seeing or holding the tomato is a troubling display of virtuosity.  I have often wondered, as I watch him go by with his huge arrogant nose: Can one be so gifted and yet so impervious to the presence of things?"

Thursday, July 7, 2011

my favorite portraitist, and my favorite scandalous lady...?

Well, you know how obsessed I am with you-know-which-painting (i.e., here and here).

This morning I spent a blissful hour reading Strapless, by Deborah Davis - it's a story behind John Singer Sargent and Madame X, Virginie Amelie Gatreau.  It's not like this, exactly, has never been written about before (I remember flipping through a Sargent book at my old art studio in middle school, wondering who this scandalous Madame X was), but this story provided a great overview of Paris itself, and the environment that surrounded the artist and the it-girl.

I haven't finished reading the book, but I certainly plan on doing so...

Speaking of Sargent, another book on my to-read list - Sargent's Daughters: The Biography of a Painting, by Erica E Hirshler.  About the daughters of Edward Darley Boit...

Thursday, May 19, 2011

modern art humor?

haha.

http://andand.tumblr.com/post/4305125972

also. I am once again sooo tempted to get a tumblr. it might be more fun than getting a twitter...

Thursday, April 21, 2011

chihuly part 4

Mille Fiori - "It wasn't so much trying to replicate plants as it was a way to work with all the techniques we've learned over the past thirty-five, forty years."


That's right, I thought a lot of the pieces looked like pipe eels or something...whatever those worms are that live on the ocean floor, half-buried in sand, their tops waving around with the current.

And, this is when my camera ran out of battery.

Oh well, I guess that just means I'll have to go back again :)

Wednesday, April 20, 2011

chihuly part 3

From "The Northwest Room" - featuring Native American baskets.

The central piece was a giant hunk of wood with all sorts of glass vessels on top (they reminded me more of sea shells than actual baskets).  Unfortunately the picture didn't turn out amazingly...

On the side, shelves held actual Native American baskets right next to glass interpretations.

Tuesday, April 19, 2011

chihuly part 2

Ikebana Boat, 2011

(Ikebana = the Japanese art of flower arranging).



Monday, April 18, 2011

chihuly at the mfa

From the new exhibit at the MFA - Chihuly: Through the Looking Glass.

I've never seen an art exhibition such as this, and it was truly a surreal experience. I snapped away like never before (although I could never do it justice!)...until I exhausted my camera batteries.  And, intelligent me forgot to check to see if there were any spare batteries in my camera case before I left (there weren't).

Anyway, I don't have many pictures that I'm incredibly pleased with, but here are some...and I'll be posting more over the next few days.



Persian Wall, 2011

Saturday, April 16, 2011

notting hill/marc chagall

It's official; this four-day Patriots day weekend in Boston has already established itself as chick flick weekend.

Last night: Mean Girls.  Tonight: Notting Hill, a.k.a. one of my favorite romantic comedies ever!

So artistic inspiration for today is the Chagall painting, La Mariée ("The Bride," 1950), which features in the film.


"It feels like how love should be - floating through a dark blue sky."
"With a goat, playing a violin."
"Well, yes.  Happiness isn't happiness without a violin-playing goat."

Sunday, February 20, 2011

how to spend it; bonnie wright and the v&a

Just came across an interesting photoshoot via this lovely pre-raphaelite website, the beautiful necessity.  Apparently the V&A will be having an exhibit on the Aesthetic Movement - and this is sort of a get-you-interested kind of thing.  Feature website how to spend it.

Now a few things about this kind of bothered me - I didn't really like Bonnie Wright's makeup that much (the lipstick I understand...but I think they got a little too excited with the eyeshadow!), and besides, I don't think she quite has a Pre-Raphaelite chin.

Nevertheless, I still really liked the images as a whole - especially these two.



the said Pre-Raphaelite chin - a.k.a the distinct profile of Jane Burden Morris, the muse of Dante Gabriel Rossetti...and William Morris....

(by Rossetti)

Saturday, January 22, 2011

funny album cover

a blast from the past - yay '90s!



nobody else, by take that.

i was looking through my cds and noticed the curious round convex mirror at the back centre, with what i'm assuming to be their actual reflections.  (it's hardly visible here - but right above the middle guy's head).  remind you of anything? ahem. arnolfini portrait.

Thursday, December 30, 2010

self portrait with paint

"Manchester-based artist James Birkbeck applied makeup to himself to look like one of Vincent Van Gogh's self-portraits and photographed the result."

Monday, December 20, 2010

van gogh self-portraits

did he have eye alignment issues?

self-portrait with bandaged ear and pipe, 1888

self-portrait as a bonze, 1888

i'm not going to pretend i came up with this on my own.  when i was reading the description of margaret livingstone's book, vision and art: the biology of seeing, she mentions great artists who had strabismus, and how that may have contributed to their, well, greatness.  she named a few - rembrandt and picasso included - and i may be imagining that she named van gogh as well.  well, this was from my neuroscience textbook, and i'm not likely to open that in the next month at least....so i'm just going to have to buy livingstone's book soon, or else be forever curious :)

i found this interesting article by her, though: http://harvardmedicine.hms.harvard.edu/fascinoma/fivesenses/vision/viewmasters.php

Wednesday, December 15, 2010

something about that face (or color scheme...)

I know these are different time periods and all....still, Marcus Stone's Olivia (1880) reminds me of Kate Winslet in Sense and Sensibility. Must be the colors and general bucolic atmosphere.



Tuesday, December 14, 2010

on the subject of portraits....

i saw this at the bp portrait awards exhibition at the national portrait gallery a few summers ago.

captivating, in its own right.

Amelia, by Cecilia Bennett
http://www.npg.org.uk/bp-portrait-award-20091/the-exhibition/exhibitors4/bp-exhibitor-10.php

Monday, December 13, 2010

john singer sargent, modernized.

Every once in a while I see Nicole Kidman's Madame X-style photo (from Vogue June 1999) - but I didn't realize there was a whole Sargent-themed photoshoot!

My favorites -

 after Madame X by John Singer Sargent, 1884

Mrs. Carl Meyer, 1896

Repose, 1911

Monday, December 6, 2010

eleanor antin

I was lucky enough to see an exhibition of some of Eleanor Antin's photography work in San Diego about four years back...and I still remember it!  It's too bad I can't find any more high-res pictures, because it's hard to appreciate when you can't see the details :(

The Gamblers, from "Roman Allegories"(2004)

Proserpine Welcomes Helen to Hades, from "Helen's Odyssey" (2007)

Casting Call, from "Helen's Odyssey"

Judgment of Paris (after Rubens) - Dark Helen, from "Helen's Odyssey"
Judgment of Paris (after Rubens) - Light Helen, from "Helen's Odyssey"

The Tree, from "The Last Days of Pompeii" (2001)

The Last Day, from "The Last Days of Pompeii"

Thursday, December 2, 2010

impressionism/modernity/modernism

modernity, the social themes of modern life as painting's subject matter.
modernism, the artistic project concerned with flatness, sensation, affect.

what is the relationship in impressionist painting?

Claude Monet - Rouen Cathedral, facade 1894 (at MFA)

and a really long article -
"Impressionism, Modernism and Originality" by Charles Harrison, in Modernity and Modernism: French Painting in the Nineteenth Century

Wednesday, November 24, 2010

tableaux vivants

just finished my essay rewrite on The House of Mirth - in particular, the scene in which Lily takes part in   the tableaux vivants, and causes a sensation.

"She had shown her artistic intelligence in selecting a type so like her own that she could embody the person represented without ceasing to be herself.  It was as though she had stepped, not out of, but into, Reynold's canvas, banishing the phantom of his dead beauty by the beams of her living grace."

so, a short post dedicated to one of the art forms that fascinates me most (if you dare to call it an art form).

came across this interesting project from a while ago - the Friends of Riverfront in Beloit, Wisconsin recreated Seurat's painting "Sunday Afternoon on the Island of La Grande Jatte - 1884."

http://e-artcasting.blogspot.com/2007/01/web-20-initiatives-revitalizing_09.html

Sunday, November 21, 2010

artists abroad

favorites -

Alvin Langdon Coburn - St. Paul's Cathedral, 1905 (photogravure)

Joseph Pennell - Charing Cross Bridge at Night, 1909 (mezzotint)

Edward Darley Boit - St. Peter's, Rome, 1912 (watercolor)
huge - 59.4 x 104.1 cm
also much better in real life, when you can actually see the watercolor brush strokes (dancing light, it seems)

and these two, just because they are so tiny!
James Wells Champney - Two Women in a Restaurant, 1866-67 (graphite and wash on paper)
6.6 x 11.7 cm!

James Wells Champney - Man In Restaurant, 1866-67 (graphite and wash on paper)